Monday, April 27, 2026

A beautiful similarity of Maula Ali and Sri Radha during their births

 I thought of sharing an analogy I noticed in one of the events related to Islam (birth of Maula Ali) and another related to Hinduism (birth of Radha, divine consort of Sri Krishna), and I was awed at the similarity. 

    Many Islamic narrations reveal that after the holy birth of Ali ibn Abi Talib (Maula Ali) in the holy Kaaba, he did not cry or even open his eyes, causing distress to his mother who had come out of the Kaaba after three days. She was worried as the newborn child was not even accepting milk or any food from her or anybody else. It is said that as soon as Prophet Muhammed (S.A.W.) came there and held the baby in his arms, he opened his eyes and thus the first person whom the child glimpsed was of the Nabi. Moreover, at the same time, the Prophet also put his finger in the child's mouth to provide some nursing and the child immediately sucked on the finger and was calmed. Hence, the first person whom Maula Ali saw and took nourishment from was indeed the holy Prophet. This event also cements the inseparable nature and divine spiritual bond of Ali and the prophet.

    Now, in Hinduism, related to the story of Lord Krishna it is said that Radha (or Sri Radha / Radharani) was born one year after Krishna's birth and her birth was also holy as she was found in a water body resting inside the lotus flower (symbol of creation/ Brahma) and was taken as a baby by her destined parents. But she would not even open her eyes or take any food, which also caused immense anxiety to her parents. It was then that a holy sage advised them to have a ceremony in the city of Gokula and invite everyone in their area (including family of Krishna) which they did (much to their surprise). It was only then that Krishna (as a one-year-old baby) went up to the cradle where Radha rested at which she opened her eyes and then baby Krishna (who was fond of eating and stealing butter as a child) who already had butter on his fingers, put his finger and provided the first food to Radha which she happily took as prasad from her beloved (Transcendental birth of Sri Radha - Sastra Caksusa). As many know, Radha was considered the divine consort of Krishna (with some view that she was the incarnation of Goddess Lakshmi, just as Krishna was the human incarnation of Sri Hari Vishnu).

For some reason, I was not only awed but pleasantly surprised at the beauty of both stories. As many narrations in Islam indicate, Prophet Muhammed (S.A.W.) and Maula Ali are considered two souls of the same body and that has also been claimed by the prophet many times. Similarly, Radha and Krishna are considered twin souls and divine companions. It also depicts how for the lover (spiritual love) the only thing that matters in the material world (dunya) is the face and offering of their Beloved, and that is the pinnacle of Love and respect. Hence, both of them during their holy births, choose not to see anything of the material world but only the first glimpse of the Beloved's face.



A very heartful ghazal song-Kahan Ho Tum

 

Sharing a song that I recently listened and is a deeply hypnotic song that I keep on listening. The original singer of this song is Shahnaz Begum, and the poetry of this song is by a famous poet Behzad Lakhnavi. 

I especially liked the cover version I found (see the link below)

Kaha Ho Tum | A Tribute to Shahnaz Begum| A Soulful Rendition of a Timeless Classic | Vikas Arora


I also found a female cover too (Kahan Ho Tum – Nostalgic Lofi Ghazal | Peaceful Midnight Ghazal | Produced by Sanson Ki Lay ) but I still like the male version better...

The heart-touching poetry of the song is:

"कहाँ हो तुम चले आओ मोहब्बत का तक़ाज़ा है

ग़म-ए-दुनिया से घबरा कर तुम्हें दिल ने पुकारा है


तुम्हारी बे-रुख़ी इक दिन हमारी जान ले लेगी

क़सम तुम को ज़रा सोचो कि दस्तूर-ए-वफ़ा क्या है


न जाने किस लिए दुनिया की नज़रें फिर गईं हम से

तुम्हें देखा तुम्हें चाहा क़ुसूर इस के सिवा क्या है


न है फ़रियाद होंटों पर न आँखों में कोई आँसू

ज़माने से मिला जो ग़म उसे गीतों में गाया है"

- Behzad Lakhnavi

Kahaan ho tum chale aao mohabbat ka taqaza hai - Ghazal 

A very beautiful and nostalgic song- from a popular Hindi movie Disco Dancer (1982)

 

Sharing a hauntingly beautiful song that is from a very old but popular Bollywood movie Disco Dancer (1982). Before I mention about the song, I should mention about this movie and the lead actor Mithun Chakraborthy. All the songs and the dance steps of the actor in this movie are so famous that his unique moves are attributed to him (akin to the moonwalk or other specific dance steps attributed to Michael Jackson). Moreover, this movie had a massive popularity in the Soviet Union (Russia) apart from India, and in an old interview when the actor was asked about the movie's success and his success in Russia, he replied that the success of the movie is only because it was destiny and comes from God. He also replied that he thinks he had a strong past life connection to Russia that's why he became an icon in Russia :)

The particular song I am sharing is so nostalgic as I had this song especially recorded in my cassette player in my childhood and used to hear it a lot. I liked its melody and its deep lyrics which reverberate in my heart till today. The song is:Disco Dancer - Yaad Aa Raha Hai Tera Pyar Kahan Hum Kahan - Bappi Lahiri

I am also sharing the specific movie clip (actually the whole movie in available on YouTube freely), where the teacher/ Guru/ Murshid (played by Rajesh Khanna) speaks to the actor to sing, urging him to sing for the sake of his mother's soul. 

(167) Disco Dancer - Mithun Chakraborty - Part 13 Of 13 | Bollywood Movie Scenes - YouTube

One noticeable thing is that the actor (Mithun) has formed a deep phobia of even touching his electric guitar, let alone hold it and play and sing to its tunes, which is happening as in his last performance, he was about to hold his electric guitar, but his mother reaches the stage hurriedly in time (as she was informed of a secret plot to kill her son by having the guitar under live electric voltage) and before her son could touch, she picks up the guitar and is sadly, electrocuted and dies in front of her son. That traumatic memory and scream of his mother remained imprinted in his soul memory, and he cannot seem to get over his grief, especially since his mother had suffered a lot in her earlier life as well and she unconditionally loved him and wanted him to sing and follow his heart, almost a huge sacrifice. Moreover, after that the villains also physically attack the actor breaking his legs (so he cannot dance on stage). Even though his lover (played by some actress) helps him rehabilitate his physical injury, the wound in his soul remains unhealed. At the time of a critical upcoming dance show, she urges the actor to sing (and there is a full song on that which is a very famous song by the name Jimmy Aaja Disco Dancer - Jimmi Jimmi Jimmi Aaja Aaja Aaja Aaja Re Mere - Parvati Khan) but her attempts fail. Until we see the entry of the actor's murshid (a teacher who had been there with the actor since his childhood watching him and teaching him music and singing with him songs). He then sings another beautiful song and speaks to him to listen to his soul, his specific dialogues (see below) help him finally take the leap to overcome the fear. Interestingly, as the healing occurs, we see the actor (Mithun) breaks apart the old personal guitar (which caused his mother's death) and takes the electric guitar thrown by his murshid in the auditorium. And the song which the actor then sings is in fact devoted to his mother and is remembering her love...

The dialogues spoken by the guru in Hindi and English are here:

Hindi:

"Gaa, apni maa ki aatma ki cheekh se apne sur ko mila de

main kehta hoon gaa!

agar aaj tune nahi gaaya

to hamesha hamesha ke liye 

teri maa mar jayegi...."

 

English:

"Sing, unite your melody with the scream of your mother's soul

I say to you sing!

If today you did not sing

Then forever and forever

your mother will die..."


I personally felt that moment was beautiful and very deep, as it showed that the source of trauma (the guitar) was broken to give space to a new version of that same object which then turned into a symbol of healing (through music). For some reason I was getting reminded of the story of Surah Yusuf from the holy Quran where the same shirt of Prophet Yusuf (A.S.) that caused trauma to his father Prophet Yaqub also later became the source of his healing. Basically, the same shirt which was torn but lacked blood spots was brought by his other sons to make-believe that Yusuf was killed by wolves, but 40 years later, Yusuf sent another shirt (but his personal shirt) that actually healed the sight of his father. 


The lyrics of the song are:

"Yaad aa raha hai, tera pyaar

Kahaan hum kahaan tum

Hue tum kahaan gum

Aa bhi jaa aa bhi, jaa ek baar

O, Yaad aa raha hai, tera pyaar


Yaaron, main to yahaan jeeta raha

Saare gham dil ke bhula ke

De ke tumhein, saari khushi

Maine, maine yahaan kuchh bhi to paaya nahi

Sab kuchh paa ke

Mujh ko mili, kya zindagi

O, Yaad aa raha hai, tera pyaar

Kahaan hum kahaan tum

Hue tum kahaan gum

Aa bhi jaa aa bhi, jaa ek baar

Ho, Yaad aa raha hai, tera pyaar


Ae dil, main wohi tu wohi

Wohi hain yeh duniya ke mele

Bichhde woh din, jaane kahaan

Roothe, sab yahaan jaane kahaan

Reh gaye hum to akele

Aawaaz dein, kis ko yahaan

O, Yaad aa raha hai, tera pyaar

Kahaan hum kahaan tum

Hue tum kahaan gum

Aa bhi jaa aa bhi, jaa ek baar

Ho, Yaad aa raha hai, tera pyaar


Waada, waada raha saathi mere

Tere liye gaata chala jaaun

Tu mera dil, tu meri jaan

Jeena, jeena mera jeena yahin

Tere liye zindagi lutaoon

Tu jo nahi, kya hai yahaan

O, Yaad aa raha hai, tera pyaar

Kahaan hum kahaan tum

Hue tum kahaan gum

Aa bhi jaa aa bhi, jaa ek baar"